BEGIN:VCALENDAR VERSION:2.0 PRODID:icalendar-ruby CALSCALE:GREGORIAN X-WR-CALNAME:Stanley Whitney: Dance with Me Henri X-WR-TIMEZONE:Eastern Time (US & Canada) BEGIN:VEVENT DTSTAMP:20260519T213630Z UID:tag:localist.com\,2008:EventInstance_41750530545771 DTSTART:20221120T150000Z DTEND:20221120T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213630Z UID:tag:localist.com\,2008:EventInstance_41750530547820 DTSTART:20221123T150000Z DTEND:20221123T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213630Z UID:tag:localist.com\,2008:EventInstance_41750530549869 DTSTART:20221125T150000Z DTEND:20221125T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213630Z UID:tag:localist.com\,2008:EventInstance_41750530552942 DTSTART:20221126T150000Z DTEND:20221126T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213630Z UID:tag:localist.com\,2008:EventInstance_41750530554991 DTSTART:20221127T150000Z DTEND:20221127T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213630Z UID:tag:localist.com\,2008:EventInstance_41750530557040 DTSTART:20221130T150000Z DTEND:20221130T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213630Z UID:tag:localist.com\,2008:EventInstance_41750530559089 DTSTART:20221201T150000Z DTEND:20221202T010000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213630Z UID:tag:localist.com\,2008:EventInstance_41750530561138 DTSTART:20221202T150000Z DTEND:20221202T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213630Z UID:tag:localist.com\,2008:EventInstance_41750530564211 DTSTART:20221203T150000Z DTEND:20221203T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213630Z UID:tag:localist.com\,2008:EventInstance_41750530567284 DTSTART:20221204T150000Z DTEND:20221204T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213630Z UID:tag:localist.com\,2008:EventInstance_41750530570357 DTSTART:20221207T150000Z DTEND:20221207T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530573430 DTSTART:20221208T150000Z DTEND:20221209T010000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530576503 DTSTART:20221209T150000Z DTEND:20221209T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530578552 DTSTART:20221210T150000Z DTEND:20221210T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530583673 DTSTART:20221211T150000Z DTEND:20221211T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530586746 DTSTART:20221214T150000Z DTEND:20221214T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530588795 DTSTART:20221215T150000Z DTEND:20221216T010000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530593916 DTSTART:20221216T150000Z DTEND:20221216T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530596989 DTSTART:20221217T150000Z DTEND:20221217T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530600062 DTSTART:20221218T150000Z DTEND:20221218T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530603135 DTSTART:20221221T150000Z DTEND:20221221T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530605184 DTSTART:20221222T150000Z DTEND:20221223T010000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530608257 DTSTART:20221223T150000Z DTEND:20221223T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530611330 DTSTART:20221224T150000Z DTEND:20221224T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530613379 DTSTART:20221228T150000Z DTEND:20221228T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530616452 DTSTART:20221229T150000Z DTEND:20221230T010000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530618501 DTSTART:20221230T150000Z DTEND:20221230T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530621574 DTSTART:20221231T150000Z DTEND:20221231T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530622599 DTSTART:20230104T150000Z DTEND:20230104T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530627720 DTSTART:20230105T150000Z DTEND:20230106T010000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530631817 DTSTART:20230106T150000Z DTEND:20230106T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530634890 DTSTART:20230107T150000Z DTEND:20230107T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530640011 DTSTART:20230108T150000Z DTEND:20230108T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530644108 DTSTART:20230111T150000Z DTEND:20230111T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530646157 DTSTART:20230112T150000Z DTEND:20230113T010000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530648206 DTSTART:20230113T150000Z DTEND:20230113T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530650255 DTSTART:20230114T150000Z DTEND:20230114T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530653328 DTSTART:20230115T150000Z DTEND:20230115T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530654353 DTSTART:20230118T150000Z DTEND:20230118T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530657426 DTSTART:20230119T150000Z DTEND:20230120T010000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530659475 DTSTART:20230120T150000Z DTEND:20230120T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530661524 DTSTART:20230121T150000Z DTEND:20230121T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530663573 DTSTART:20230122T150000Z DTEND:20230122T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530665622 DTSTART:20230125T150000Z DTEND:20230125T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530667671 DTSTART:20230126T150000Z DTEND:20230127T010000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530669720 DTSTART:20230127T150000Z DTEND:20230127T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530671769 DTSTART:20230128T150000Z DTEND:20230128T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530673818 DTSTART:20230129T150000Z DTEND:20230129T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530676891 DTSTART:20230201T150000Z DTEND:20230201T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530678940 DTSTART:20230202T150000Z DTEND:20230203T010000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530680989 DTSTART:20230203T150000Z DTEND:20230203T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530684062 DTSTART:20230204T150000Z DTEND:20230204T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530688159 DTSTART:20230205T150000Z DTEND:20230205T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530690208 DTSTART:20230208T150000Z DTEND:20230208T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530692257 DTSTART:20230209T150000Z DTEND:20230210T010000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530694306 DTSTART:20230210T150000Z DTEND:20230210T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530696355 DTSTART:20230211T150000Z DTEND:20230211T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530698404 DTSTART:20230212T150000Z DTEND:20230212T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530700453 DTSTART:20230215T150000Z DTEND:20230215T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530702502 DTSTART:20230216T150000Z DTEND:20230217T010000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530704551 DTSTART:20230217T150000Z DTEND:20230217T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530706600 DTSTART:20230218T150000Z DTEND:20230218T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530708649 DTSTART:20230219T150000Z DTEND:20230219T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530710698 DTSTART:20230222T150000Z DTEND:20230222T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530712747 DTSTART:20230223T150000Z DTEND:20230224T010000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530713772 DTSTART:20230224T150000Z DTEND:20230224T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530715821 DTSTART:20230225T150000Z DTEND:20230225T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530717870 DTSTART:20230226T150000Z DTEND:20230226T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530719919 DTSTART:20230301T150000Z DTEND:20230301T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530721968 DTSTART:20230302T150000Z DTEND:20230303T010000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530724017 DTSTART:20230303T150000Z DTEND:20230303T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530725042 DTSTART:20230304T150000Z DTEND:20230304T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530727091 DTSTART:20230305T150000Z DTEND:20230305T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530729140 DTSTART:20230308T150000Z DTEND:20230308T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530731189 DTSTART:20230309T150000Z DTEND:20230310T010000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530732214 DTSTART:20230310T150000Z DTEND:20230310T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530734263 DTSTART:20230311T150000Z DTEND:20230311T220000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530736312 DTSTART:20230312T140000Z DTEND:20230312T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530738361 DTSTART:20230315T140000Z DTEND:20230315T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530740410 DTSTART:20230316T140000Z DTEND:20230317T000000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530742459 DTSTART:20230317T140000Z DTEND:20230317T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530744508 DTSTART:20230318T140000Z DTEND:20230318T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530746557 DTSTART:20230319T140000Z DTEND:20230319T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530748606 DTSTART:20230322T140000Z DTEND:20230322T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530749631 DTSTART:20230323T140000Z DTEND:20230324T000000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530751680 DTSTART:20230324T140000Z DTEND:20230324T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530753729 DTSTART:20230325T140000Z DTEND:20230325T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530755778 DTSTART:20230326T140000Z DTEND:20230326T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530757827 DTSTART:20230329T140000Z DTEND:20230329T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530759876 DTSTART:20230330T140000Z DTEND:20230331T000000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530761925 DTSTART:20230331T140000Z DTEND:20230331T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530762950 DTSTART:20230401T140000Z DTEND:20230401T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530764999 DTSTART:20230402T140000Z DTEND:20230402T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530767048 DTSTART:20230405T140000Z DTEND:20230405T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530769097 DTSTART:20230406T140000Z DTEND:20230407T000000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530771146 DTSTART:20230407T140000Z DTEND:20230407T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530773195 DTSTART:20230408T140000Z DTEND:20230408T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530775244 DTSTART:20230409T140000Z DTEND:20230409T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530777293 DTSTART:20230412T140000Z DTEND:20230412T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530779342 DTSTART:20230413T140000Z DTEND:20230414T000000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530781391 DTSTART:20230414T140000Z DTEND:20230414T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530782416 DTSTART:20230415T140000Z DTEND:20230415T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530784465 DTSTART:20230416T140000Z DTEND:20230416T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530786514 DTSTART:20230419T140000Z DTEND:20230419T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530788563 DTSTART:20230420T140000Z DTEND:20230421T000000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530790612 DTSTART:20230421T140000Z DTEND:20230421T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530791637 DTSTART:20230422T140000Z DTEND:20230422T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT BEGIN:VEVENT DTSTAMP:20260519T213631Z UID:tag:localist.com\,2008:EventInstance_41750530793686 DTSTART:20230423T140000Z DTEND:20230423T210000Z DESCRIPTION:Approximately 15 works on paper celebrate Stanley Whitney’s ( b. Philadelphia\, PA\, 1946) lifelong engagement with Henri Matisse’s co lor\, drawing\, and composition and reveal his thinking through the staine d-glass windows that are now a permanent feature of the BMA’s Ruth R. Ma rder Center for Matisse Studies.\n\nThese works connecting French modern a rt to other forms of making\, including jazz\, mid-century New York City p ainting\, and the quilts of Gee’s Bend. Whitney had visited Matisse’s stained-glass windows at the Chapelle du Rosaire de Vence in Southern Fran ce several times and his process of building stacks of color and playing w ith opacity and transparency was a natural fit for the form of the glass w indow\, both its traditional aspects—the pane\, leaded and blown glass —and its contemporary possibilities. GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SUMMARY:Stanley Whitney: Dance with Me Henri URL;VALUE=URI:https://events.baltimoremagazine.com/event/stanley_whitney_da nce_with_me_henri CATEGORIES:Exhibits END:VEVENT END:VCALENDAR