BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:iCalendar-Ruby BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230622T210000Z DTSTAMP:20260414T002727Z DTSTART:20230622T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876089410 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230623T210000Z DTSTAMP:20260414T002727Z DTSTART:20230623T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876091459 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230624T210000Z DTSTAMP:20260414T002727Z DTSTART:20230624T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876093508 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230625T210000Z DTSTAMP:20260414T002727Z DTSTART:20230625T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876095557 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230628T210000Z DTSTAMP:20260414T002727Z DTSTART:20230628T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876097606 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230629T210000Z DTSTAMP:20260414T002727Z DTSTART:20230629T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876099655 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230630T210000Z DTSTAMP:20260414T002727Z DTSTART:20230630T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876102728 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230701T210000Z DTSTAMP:20260414T002727Z DTSTART:20230701T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876104777 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230702T210000Z DTSTAMP:20260414T002727Z DTSTART:20230702T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876106826 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230705T210000Z DTSTAMP:20260414T002727Z DTSTART:20230705T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876109899 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230706T210000Z DTSTAMP:20260414T002727Z DTSTART:20230706T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876111948 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230707T210000Z DTSTAMP:20260414T002727Z DTSTART:20230707T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876113997 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230708T210000Z DTSTAMP:20260414T002727Z DTSTART:20230708T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876116046 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230709T210000Z DTSTAMP:20260414T002727Z DTSTART:20230709T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876118095 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230712T210000Z DTSTAMP:20260414T002727Z DTSTART:20230712T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876121168 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230713T210000Z DTSTAMP:20260414T002727Z DTSTART:20230713T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876123217 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230714T210000Z DTSTAMP:20260414T002727Z DTSTART:20230714T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876125266 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230715T210000Z DTSTAMP:20260414T002727Z DTSTART:20230715T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876127315 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230716T210000Z DTSTAMP:20260414T002727Z DTSTART:20230716T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876129364 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230719T210000Z DTSTAMP:20260414T002727Z DTSTART:20230719T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876131413 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230720T210000Z DTSTAMP:20260414T002727Z DTSTART:20230720T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876133462 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230721T210000Z DTSTAMP:20260414T002727Z DTSTART:20230721T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876136535 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230722T210000Z DTSTAMP:20260414T002727Z DTSTART:20230722T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876138584 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230723T210000Z DTSTAMP:20260414T002727Z DTSTART:20230723T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876141657 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230726T210000Z DTSTAMP:20260414T002727Z DTSTART:20230726T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876143706 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230727T210000Z DTSTAMP:20260414T002727Z DTSTART:20230727T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876145755 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230728T210000Z DTSTAMP:20260414T002727Z DTSTART:20230728T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876147804 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230729T210000Z DTSTAMP:20260414T002727Z DTSTART:20230729T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876149853 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230730T210000Z DTSTAMP:20260414T002727Z DTSTART:20230730T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876151902 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230802T210000Z DTSTAMP:20260414T002727Z DTSTART:20230802T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876153951 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230803T210000Z DTSTAMP:20260414T002727Z DTSTART:20230803T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876156000 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230804T210000Z DTSTAMP:20260414T002727Z DTSTART:20230804T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876158049 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230805T210000Z DTSTAMP:20260414T002727Z DTSTART:20230805T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876160098 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230806T210000Z DTSTAMP:20260414T002727Z DTSTART:20230806T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876162147 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230809T210000Z DTSTAMP:20260414T002727Z DTSTART:20230809T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876165220 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230810T210000Z DTSTAMP:20260414T002727Z DTSTART:20230810T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876167269 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230811T210000Z DTSTAMP:20260414T002727Z DTSTART:20230811T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876169318 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230812T210000Z DTSTAMP:20260414T002727Z DTSTART:20230812T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876171367 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230813T210000Z DTSTAMP:20260414T002727Z DTSTART:20230813T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876173416 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230816T210000Z DTSTAMP:20260414T002727Z DTSTART:20230816T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876175465 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230817T210000Z DTSTAMP:20260414T002727Z DTSTART:20230817T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876177514 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230818T210000Z DTSTAMP:20260414T002727Z DTSTART:20230818T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876179563 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230819T210000Z DTSTAMP:20260414T002727Z DTSTART:20230819T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876181612 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230820T210000Z DTSTAMP:20260414T002727Z DTSTART:20230820T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876184685 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230823T210000Z DTSTAMP:20260414T002727Z DTSTART:20230823T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876185710 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230824T210000Z DTSTAMP:20260414T002727Z DTSTART:20230824T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876187759 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230825T210000Z DTSTAMP:20260414T002727Z DTSTART:20230825T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876189808 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230826T210000Z DTSTAMP:20260414T002727Z DTSTART:20230826T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876191857 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230827T210000Z DTSTAMP:20260414T002727Z DTSTART:20230827T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876194930 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230830T210000Z DTSTAMP:20260414T002727Z DTSTART:20230830T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876196979 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230831T210000Z DTSTAMP:20260414T002727Z DTSTART:20230831T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876199028 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230901T210000Z DTSTAMP:20260414T002727Z DTSTART:20230901T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876201077 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230902T210000Z DTSTAMP:20260414T002727Z DTSTART:20230902T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876203126 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230903T210000Z DTSTAMP:20260414T002727Z DTSTART:20230903T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876205175 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230906T210000Z DTSTAMP:20260414T002727Z DTSTART:20230906T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876208248 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230907T210000Z DTSTAMP:20260414T002727Z DTSTART:20230907T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876209273 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230908T210000Z DTSTAMP:20260414T002727Z DTSTART:20230908T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876211322 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230909T210000Z DTSTAMP:20260414T002727Z DTSTART:20230909T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876214395 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230910T210000Z DTSTAMP:20260414T002727Z DTSTART:20230910T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876216444 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230913T210000Z DTSTAMP:20260414T002727Z DTSTART:20230913T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876218493 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230914T210000Z DTSTAMP:20260414T002727Z DTSTART:20230914T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876220542 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230915T210000Z DTSTAMP:20260414T002727Z DTSTART:20230915T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876222591 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230916T210000Z DTSTAMP:20260414T002727Z DTSTART:20230916T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876225664 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230917T210000Z DTSTAMP:20260414T002727Z DTSTART:20230917T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876227713 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230920T210000Z DTSTAMP:20260414T002727Z DTSTART:20230920T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876229762 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230921T210000Z DTSTAMP:20260414T002727Z DTSTART:20230921T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876231811 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230922T210000Z DTSTAMP:20260414T002727Z DTSTART:20230922T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876233860 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230923T210000Z DTSTAMP:20260414T002727Z DTSTART:20230923T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876235909 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230924T210000Z DTSTAMP:20260414T002727Z DTSTART:20230924T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876237958 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230927T210000Z DTSTAMP:20260414T002727Z DTSTART:20230927T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876240007 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230928T210000Z DTSTAMP:20260414T002727Z DTSTART:20230928T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876242056 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230929T210000Z DTSTAMP:20260414T002727Z DTSTART:20230929T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876244105 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20230930T210000Z DTSTAMP:20260414T002727Z DTSTART:20230930T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876246154 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231001T210000Z DTSTAMP:20260414T002727Z DTSTART:20231001T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876248203 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231004T210000Z DTSTAMP:20260414T002727Z DTSTART:20231004T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876250252 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231005T210000Z DTSTAMP:20260414T002727Z DTSTART:20231005T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876252301 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231006T210000Z DTSTAMP:20260414T002727Z DTSTART:20231006T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876254350 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231007T210000Z DTSTAMP:20260414T002727Z DTSTART:20231007T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876256399 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231008T210000Z DTSTAMP:20260414T002727Z DTSTART:20231008T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876259472 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231011T210000Z DTSTAMP:20260414T002727Z DTSTART:20231011T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876260497 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231012T210000Z DTSTAMP:20260414T002727Z DTSTART:20231012T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876262546 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231013T210000Z DTSTAMP:20260414T002727Z DTSTART:20231013T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876265619 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231014T210000Z DTSTAMP:20260414T002727Z DTSTART:20231014T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876268692 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231015T210000Z DTSTAMP:20260414T002727Z DTSTART:20231015T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876270741 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231018T210000Z DTSTAMP:20260414T002727Z DTSTART:20231018T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876272790 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231019T210000Z DTSTAMP:20260414T002727Z DTSTART:20231019T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876274839 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231020T210000Z DTSTAMP:20260414T002727Z DTSTART:20231020T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876276888 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231021T210000Z DTSTAMP:20260414T002727Z DTSTART:20231021T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876278937 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231022T210000Z DTSTAMP:20260414T002727Z DTSTART:20231022T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876280986 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231025T210000Z DTSTAMP:20260414T002727Z DTSTART:20231025T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876283035 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231026T210000Z DTSTAMP:20260414T002727Z DTSTART:20231026T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876286108 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231027T210000Z DTSTAMP:20260414T002727Z DTSTART:20231027T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876287133 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231028T210000Z DTSTAMP:20260414T002727Z DTSTART:20231028T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876289182 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231029T210000Z DTSTAMP:20260414T002727Z DTSTART:20231029T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876291231 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231101T210000Z DTSTAMP:20260414T002727Z DTSTART:20231101T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876293280 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231102T210000Z DTSTAMP:20260414T002727Z DTSTART:20231102T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876295329 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231103T210000Z DTSTAMP:20260414T002727Z DTSTART:20231103T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876297378 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231104T210000Z DTSTAMP:20260414T002727Z DTSTART:20231104T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876299427 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231105T220000Z DTSTAMP:20260414T002727Z DTSTART:20231105T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876301476 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231108T220000Z DTSTAMP:20260414T002727Z DTSTART:20231108T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876303525 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231109T220000Z DTSTAMP:20260414T002727Z DTSTART:20231109T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876305574 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231110T220000Z DTSTAMP:20260414T002727Z DTSTART:20231110T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876307623 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231111T220000Z DTSTAMP:20260414T002727Z DTSTART:20231111T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876309672 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231112T220000Z DTSTAMP:20260414T002727Z DTSTART:20231112T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876311721 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231115T220000Z DTSTAMP:20260414T002727Z DTSTART:20231115T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876313770 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231116T220000Z DTSTAMP:20260414T002727Z DTSTART:20231116T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876315819 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231117T220000Z DTSTAMP:20260414T002727Z DTSTART:20231117T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876318892 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231118T220000Z DTSTAMP:20260414T002727Z DTSTART:20231118T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876320941 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231119T220000Z DTSTAMP:20260414T002727Z DTSTART:20231119T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876322990 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231122T220000Z DTSTAMP:20260414T002727Z DTSTART:20231122T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876325039 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231124T220000Z DTSTAMP:20260414T002728Z DTSTART:20231124T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876328112 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231125T220000Z DTSTAMP:20260414T002728Z DTSTART:20231125T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876330161 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231126T220000Z DTSTAMP:20260414T002728Z DTSTART:20231126T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876332210 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231129T220000Z DTSTAMP:20260414T002728Z DTSTART:20231129T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876335283 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231130T220000Z DTSTAMP:20260414T002728Z DTSTART:20231130T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876336308 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231201T220000Z DTSTAMP:20260414T002728Z DTSTART:20231201T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876339381 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231202T220000Z DTSTAMP:20260414T002728Z DTSTART:20231202T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876349622 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231203T220000Z DTSTAMP:20260414T002728Z DTSTART:20231203T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876351671 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231206T220000Z DTSTAMP:20260414T002728Z DTSTART:20231206T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876353720 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231207T220000Z DTSTAMP:20260414T002728Z DTSTART:20231207T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876355769 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231208T220000Z DTSTAMP:20260414T002728Z DTSTART:20231208T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876358842 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231209T220000Z DTSTAMP:20260414T002728Z DTSTART:20231209T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876360891 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231210T220000Z DTSTAMP:20260414T002728Z DTSTART:20231210T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876362940 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231213T220000Z DTSTAMP:20260414T002728Z DTSTART:20231213T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876364989 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231214T220000Z DTSTAMP:20260414T002728Z DTSTART:20231214T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876367038 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231215T220000Z DTSTAMP:20260414T002728Z DTSTART:20231215T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876369087 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231216T220000Z DTSTAMP:20260414T002728Z DTSTART:20231216T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876371136 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231217T220000Z DTSTAMP:20260414T002728Z DTSTART:20231217T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876374209 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231220T220000Z DTSTAMP:20260414T002728Z DTSTART:20231220T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876376258 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231221T220000Z DTSTAMP:20260414T002728Z DTSTART:20231221T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876378307 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231222T220000Z DTSTAMP:20260414T002728Z DTSTART:20231222T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876380356 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231223T220000Z DTSTAMP:20260414T002728Z DTSTART:20231223T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876382405 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231224T220000Z DTSTAMP:20260414T002728Z DTSTART:20231224T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876384454 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231227T220000Z DTSTAMP:20260414T002728Z DTSTART:20231227T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876386503 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231228T220000Z DTSTAMP:20260414T002728Z DTSTART:20231228T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876389576 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231229T220000Z DTSTAMP:20260414T002728Z DTSTART:20231229T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876390601 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231230T220000Z DTSTAMP:20260414T002728Z DTSTART:20231230T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876392650 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20231231T220000Z DTSTAMP:20260414T002728Z DTSTART:20231231T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876395723 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240103T220000Z DTSTAMP:20260414T002728Z DTSTART:20240103T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876396748 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240104T220000Z DTSTAMP:20260414T002728Z DTSTART:20240104T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876399821 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240105T220000Z DTSTAMP:20260414T002728Z DTSTART:20240105T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876401870 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240106T220000Z DTSTAMP:20260414T002728Z DTSTART:20240106T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876403919 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240107T220000Z DTSTAMP:20260414T002728Z DTSTART:20240107T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876406992 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240110T220000Z DTSTAMP:20260414T002728Z DTSTART:20240110T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876408017 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240111T220000Z DTSTAMP:20260414T002728Z DTSTART:20240111T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876410066 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240112T220000Z DTSTAMP:20260414T002728Z DTSTART:20240112T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876412115 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240113T220000Z DTSTAMP:20260414T002728Z DTSTART:20240113T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876414164 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240114T220000Z DTSTAMP:20260414T002728Z DTSTART:20240114T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876416213 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240117T220000Z DTSTAMP:20260414T002728Z DTSTART:20240117T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876419286 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240118T220000Z DTSTAMP:20260414T002728Z DTSTART:20240118T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876421335 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240119T220000Z DTSTAMP:20260414T002728Z DTSTART:20240119T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876423384 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240120T220000Z DTSTAMP:20260414T002728Z DTSTART:20240120T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876425433 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240121T220000Z DTSTAMP:20260414T002728Z DTSTART:20240121T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876427482 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240124T220000Z DTSTAMP:20260414T002728Z DTSTART:20240124T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876429531 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240125T220000Z DTSTAMP:20260414T002728Z DTSTART:20240125T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876431580 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240126T220000Z DTSTAMP:20260414T002728Z DTSTART:20240126T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876433629 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240127T220000Z DTSTAMP:20260414T002728Z DTSTART:20240127T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876435678 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240128T220000Z DTSTAMP:20260414T002728Z DTSTART:20240128T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876437727 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240131T220000Z DTSTAMP:20260414T002728Z DTSTART:20240131T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876439776 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240201T220000Z DTSTAMP:20260414T002728Z DTSTART:20240201T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876441825 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240202T220000Z DTSTAMP:20260414T002728Z DTSTART:20240202T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876443874 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240203T220000Z DTSTAMP:20260414T002728Z DTSTART:20240203T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876445923 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240204T220000Z DTSTAMP:20260414T002728Z DTSTART:20240204T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876447972 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240207T220000Z DTSTAMP:20260414T002728Z DTSTART:20240207T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876450021 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240208T220000Z DTSTAMP:20260414T002728Z DTSTART:20240208T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876452070 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240209T220000Z DTSTAMP:20260414T002728Z DTSTART:20240209T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876454119 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240210T220000Z DTSTAMP:20260414T002728Z DTSTART:20240210T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876456168 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240211T220000Z DTSTAMP:20260414T002728Z DTSTART:20240211T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876458217 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240214T220000Z DTSTAMP:20260414T002728Z DTSTART:20240214T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876460266 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240215T220000Z DTSTAMP:20260414T002728Z DTSTART:20240215T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876462315 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240216T220000Z DTSTAMP:20260414T002728Z DTSTART:20240216T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876464364 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240217T220000Z DTSTAMP:20260414T002728Z DTSTART:20240217T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876466413 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240218T220000Z DTSTAMP:20260414T002728Z DTSTART:20240218T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876468462 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240221T220000Z DTSTAMP:20260414T002728Z DTSTART:20240221T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876470511 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240222T220000Z DTSTAMP:20260414T002728Z DTSTART:20240222T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876472560 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240223T220000Z DTSTAMP:20260414T002728Z DTSTART:20240223T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876474609 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240224T220000Z DTSTAMP:20260414T002728Z DTSTART:20240224T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876476658 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240225T220000Z DTSTAMP:20260414T002728Z DTSTART:20240225T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876478707 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240228T220000Z DTSTAMP:20260414T002728Z DTSTART:20240228T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876479732 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240229T220000Z DTSTAMP:20260414T002728Z DTSTART:20240229T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876481781 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240301T220000Z DTSTAMP:20260414T002728Z DTSTART:20240301T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876483830 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240302T220000Z DTSTAMP:20260414T002728Z DTSTART:20240302T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876486903 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240303T220000Z DTSTAMP:20260414T002728Z DTSTART:20240303T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876488952 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240306T220000Z DTSTAMP:20260414T002728Z DTSTART:20240306T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876491001 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240307T220000Z DTSTAMP:20260414T002728Z DTSTART:20240307T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876493050 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240308T220000Z DTSTAMP:20260414T002728Z DTSTART:20240308T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876495099 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240309T220000Z DTSTAMP:20260414T002728Z DTSTART:20240309T150000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876497148 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240310T210000Z DTSTAMP:20260414T002728Z DTSTART:20240310T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876499197 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240313T210000Z DTSTAMP:20260414T002728Z DTSTART:20240313T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876501246 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240314T210000Z DTSTAMP:20260414T002728Z DTSTART:20240314T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876504319 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240315T210000Z DTSTAMP:20260414T002728Z DTSTART:20240315T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876506368 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240316T210000Z DTSTAMP:20260414T002728Z DTSTART:20240316T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876509441 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT BEGIN:VEVENT CATEGORIES:Exhibits DESCRIPTION:Following an open call to artists based in Maryland and neighbo ring states\, Nekisha Durrett of Washington\, D.C. and Jackie Milad of Balt imore were selected by a jury to create new works in dialogue with Fred Wil son’s Artemis/Bast (1992). The sculpture joins the body of Artemis\, Greek goddess of the hunt\, and the head of Bast (also known as Bastet)\, the mor e ancient Egyptian cat goddess. The black feline head sits atop the white p laster body\, asserting Africa as a vital source of knowledge across the an cient world. The sculpture counters narratives that erased Africa’s cultura l contributions.\n\nDurrett and Milad responded with compelling proposals t hat engage with the provocation: “What images and thoughts emerge when myth s and histories collide?”\n\nFor her multimedia works for the exhibition\, Milad will create two large-scale collaged paintings\, a cut-out fabric pai nting\, as well as a bronze statuette. Her paintings incorporate ancient Eg yptian hieroglyphs and ancient American figures\, pictures and letters from her family\, irreverent pop culture references\, fragments of poems\, and contemporary aesthetics. Hot pink is a dominant hue\, and hip-hop lyrics sw irl their way into her collages.\n\nFor her proposed installation\, Durrett turned to the legacy of Harriet Tubman and will produce an abstract study of Tubman’s revolutionary and visionary way of thinking. The multi-media wo rk will feature a 10-foot black reflective circle\, mounted to the wall and bisected by a line of white light. The circumference will be ringed with s oil collected from the root of a tulip poplar known as the Witness Tree at Mt. Pleasant Acres Farms in Preston\, Maryland\, with permission from its s tewards\, Paulette Greene and Donna Dear. Born into slavery near this site\ , Tubman escaped in 1849 but returned in 1854 to rescue her father Ben\, a free laborer\, and her enslaved brothers Ben\, Robert\, and Henry. DTEND:20240317T210000Z DTSTAMP:20260414T002728Z DTSTART:20240317T140000Z GEO:39.325755;-76.61944 LOCATION:The Baltimore Museum of Art SEQUENCE:0 SUMMARY:Histories Collide: Jackie Milad x Fred Wilson x Nekisha Durrett UID:tag:localist.com\,2008:EventInstance_43534876511490 URL:https://events.baltimoremagazine.com/event/histories_collide_jackie_mil ad_x_fred_wilson_x_nekisha_durrett END:VEVENT END:VCALENDAR